Kalki 2 goes on floors in Hyderabad: Amitabh Bachchan shares BTS with Kamal Haasan

For years, actor Amitabh Bachchan has maintained a Sunday tradition of greeting fans outside his Juhu residence, Jalsa. However, this past weekend, the actor skipped the ritual due to work commitments. He has now revealed that he was in Hyderabad to begin shooting for the sequel to Kalki 2898 AD.

On February 24, Bachchan took to his blog to explain his absence. Sharing pictures of fans gathered outside his home despite prior notice, he wrote, “told them that this Sunday I shall not be able to come, since I was shooting in Hyderabad .. but still they come .. to confirm .. ... even this cute little fellow (dog),” alongside images showing a sea of admirers waiting to catch a glimpse of him.

Later, the actor apologised to his fans and confirmed that work on the sequel had commenced. He also shared behind-the-scenes photographs from the set, including images of his transformation into Ashwatthama and a candid moment with co-star Kamal Haasan.

 

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Expressing his happiness at collaborating with Haasan again, Bachchan wrote, “but apologies .. work first .. rest later .. ... and meeting up with the great KAMAL HAASAN ... we shall be working together after ages .. last in Giraftar .. Kalki 2 begun the work .. and shall ever cherish the love and affection of anticipated presence on the Sunday .. but hopefully shall be with all this coming Sunday ..My love.”

The sequel, directed by Nag Ashwin, has gone on floors months after reports emerged about Deepika Padukone’s exit from the franchise. While the makers have not officially announced a replacement for her character SUM-80 (Sumathi), there have been reports suggesting that Sai Pallavi is in advanced talks to step into the role.

Also Read: Amitabh Bachchan skips Sunday meet at Jalsa, assures fans “shall meet up soon”

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“New beginnings”: Tara Sutaria moves into her first house, shares glimpse of elegant Mumbai abode

Actor Tara Sutaria has marked a significant personal milestone by purchasing her first home in Mumbai. Sharing the news with her followers on social media, the actress offered a glimpse into her new space, describing the move as the beginning of a new chapter in her life.

Posting a series of photographs from inside the house, Tara wrote, “To new beginnings.. / To endless laughter and love in my first home and to embracing 2026 with arms wide open.” The images reflect a tastefully designed home with warm lighting, neutral tones, and a blend of vintage and contemporary décor.

One of the pictures shows Tara dressed in an elegant ivory sari, seated with folded hands beside a large arrangement of white flowers placed in a silver urn. The living area features a wooden coffee table, upholstered seating, and softly lit display shelves adorned with framed photographs, books, vinyl records, and decorative artefacts. A chandelier adds a classic touch to the space.

Another wide-angle photograph captures her adjusting a floral arrangement in the living room, offering a clearer look at the cream-toned sofas, textured rug, and carefully curated shelves. In a separate frame, Tara is seen standing beside a grand piano in what appears to be a dedicated music corner, hinting at her well-known love for singing and performing arts. The room is accented with framed artwork, indoor plants, and a polished wooden floor laid in a herringbone pattern.

 

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Several members of the film fraternity congratulated the actor in the comments section, including Krishna Shroff, Disha Patani, Rhea Chakraborty, and Mahima Chaudhary, among others.

The development comes shortly after reports suggested that Tara had parted ways with Veer Pahariya. The two reportedly began dating in early 2025 and made their relationship public by mid-year, frequently appearing together at events and on social media. However, speculation about a split gained momentum in recent weeks, with industry reports claiming that the couple had quietly ended their relationship.

On the professional front, Tara will next be seen in Toxic, headlined by Yash.

Also Read: Tara Sutaria steps out with Rs. 3.32 lakh Gucci Diana Mini, making a quiet power statement

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EXCLUSIVE: CBFC asks for 15 cuts and modifications in The Kerala Story 2: Goes Beyond; reduces kiss and rape visuals by 50%

The Kerala Story 2: Goes Beyond is all set to release this Friday, February 27, and it has managed to create considerable noise on social media because of its shocking and controversial content. Usually, such films often contain disturbing content and, as a result, are meant for only adult-viewing. Hence, it was a surprise for the trade and industry that the Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate.

However, the CBFC asked for 16 cuts or modifications in the film. To begin with, the visuals of kissing were reduced by 50%. In short, the lip-lock scene was shortened by 7 seconds. Similarly, the rape scene visuals were also reduced by 50%, that is, by 20 seconds. Two scenes - one of a woman being slapped and the other of a woman's head being hit - were both reduced by 2 seconds.

The visuals of the house of the accused being demolished with a bulldozer were asked to be modified. Three dialogues, at three different places, were modified while a word was asked to be muted. However, no details of these are available in the cut list.

The makers were instructed to add a disclaimer that the film is based on true events. The duration of the static text, presumably a disclaimer, was asked to be increased by 2 minute and 3 seconds, along with voice over. The makers were asked to submit the script, as per script dialogue and also submit proper documents for a true event depicted in the film. Finally, a consent letter was submitted to the CBFC for casting a minor artist in the film.

Once these changes were made, The Kerala Story 2: Goes Beyond was handed over the censor certificate on February 16. The length of the film, as mentioned on the censor certificate, is 131.24 minutes. In other words, The Kerala Story 2: Goes Beyond is 2 hours, 11 minutes and 24 seconds long.

The Kerala Story 2: Goes Beyond is produced by Vipul Shah and directed by Kamakhya Narayan Singh. It stars Ulka Gupta, Aditi Bhatia and Aishwarya Ojha in leading roles. It releases in cinemas on February 27.

Also Read: Makers of the The Kerala Story 2: Goes Beyond unveil character posters of Ulka Gupta, Aishwarya Ojha and Aditi Bhatia

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Shah Rukh Khan starrer In Which Annie Gives It Those Ones, Massey Sahib to Screen at Red Lorry retrospective

The Red Lorry Film Festival, India’s premier destination for world cinema, will present a special retrospective honouring acclaimed filmmaker Pradip Krishen, spotlighting his rare and influential body of work.

Titled A Retrospective Celebrating Filmmaker Pradip Krishen, the showcase will revisit three of Krishen’s most distinctive films: In Which Annie Gives It Those Ones, Electric Moon, and Massey Sahib, offering audiences a chance to experience his sharp storytelling.

Pradip Krishen remains one of Indian cinema’s most original filmmakers. His campus cult classic In Which Annie Gives It Those Ones, written by Arundhati Roy captured the spirit of 1970s Delhi student life with wit and quiet rebellion. His debut feature Massey Sahib earned international acclaim and launched the career of Raghuvir Yadav, while Electric Moon stood out for its satirical take on post colonial India. Beyond cinema, Krishen stepped away from filmmaking to become one of India’s leading naturalists.

Ashish Saksena, COO Cinemas, BookMyShow and Festival Director, Red Lorry Film Festival, said, “Pradip Krishen’s films occupy a special place in Indian cinema for their originality, intelligence and cultural depth. Through this retrospective, we are proud to bring his landmark works back to the big screen for new and longtime audiences of the Red Lorry Film Festival.”

“This is a pinch-me-to-see-if-I’m-dreaming moment for me! Truly an honour to have all 3 of my films shown together at the Red Lorry Festival in Mumbai. Wonderful to be able to see them return to the big screen,” says filmmaker Pradip Krishen.

The Red Lorry Film Festival will be held from 13 to 15 March in Mumbai and will feature over 120 films from across the world. Festival passes are now available on BookMyShow.

Also Read: Subhash Ghai jokes at Karz screening at Red Lorry Film Festival: “Date during my film and you’ll end up married” – Neetu Kapoor agrees; takes a dig at Filmfare for snubbing Simi Garewal’s performance, says “It’s their LOSS”

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After Toxic, Yash steps away from KGF, plans directorial debut

After Toxic, Yash has no plans of returning to the KGF franchise. Shocked as his fans may be to hear this, the superstar will not be doing another KGF film at least not for quite a while. In fact, and you heard it here first, Yash intends to direct a film next.

According to a source very close to the actor, “Throughout Toxic, Yash was a very close collaborator with his director, Geetu Mohandas. You could almost say he was a co-director on the film. His input has gone into almost every sequence. But Yash won’t be taking any credit, as he considers Geetu Mohandas the true and rightful helmer of the project, while he sees himself as just another technician on the team.”

That equation may soon change. The next Yash starrer is likely to be directed by the superstar himself. He already has an idea for the project but prefers to speak about it only after Toxic releases.

Also Read: Zee Music Company bags music rights of Yash starrer Toxic in major 2026 deal with KVN Productions

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SCOOP: Sunny Deol-Aamir Khan-Rajkumar Santoshi's Lahore 1947 likely to undergo title change

Sunny Deol began 2026 with a bang with Border 2 and he’s expected to release multiple films this year, all of which look exciting. The most awaited of them is Lahore 1947. It reunites Sunny Deol and Rajkumar Santoshi and is produced by Aamir Khan. Aamir will also be seen in the film in a supporting role and it also stars Preity Zinta, Ali Fazal and Shabana Azmi. Due to the stellar team and Sunny’s booming track record, Lahore 1947 is a film that is expected to set the cash registers ringing. However, as per the buzz in the trade, the makers of the film are looking for a change of title.

A source told Bollywood Hungama, “Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film.”

The source continued, “Accordingly, they have come up with a few options. Another round of meeting will happen with the stakeholders and if all are on the same page, the name of the film will undergo a change.”

A few days ago, the makers of Lahore 1947 announced that their labour of love would be released on August 13, that is, in the beneficial Independence Day week.

The play, ‘Jis Lahore Nai Dekhya’, was written by Syed Asghar Wajahat in 1980. The Partition-era story revolves around a Muslim family which migrates from Lucknow to Lahore and is allotted a haveli vacated by a Hindu family. The old Hindu matriarch refuses to leave her ancestral home and she also strikes a rare bond with the Muslim immigrants.

Also Read: Aamir Khan productions’ Lahore 1947, starring Sunny Deol, locks Independence week release; deets inside

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Farhan Akhtar-backed Boong wins at BAFTA 2026; beats Arco, Lilo & Stitch and Zootropolis 2

India registered a significant achievement at the BAFTA 2026 awards as the Manipuri-language film Boong won the Best Children’s & Family Film honour. Backed by Farhan Akhtar, the film emerged victorious over international nominees including Arco, Lilo & Stitch and Zootropolis 2.

The win is being seen as a major moment for Indian cinema, particularly for stories emerging from the Northeast. It underscores the growing global visibility of regional narratives that centre on local realities while addressing universal themes. Farhan Akhtar attended the ceremony along with his wife, Shibani Dandekar.

Directed by Lakshmipriya Devi, Boong is set in Manipur against the backdrop of social and political unrest. The title translates to “little boy” in Manipuri. The film follows a young boy, Boong, played by Gugun Kipgen, who believes that reuniting his family will restore happiness to his mother, Mandakini, portrayed by Bala Hijam. Determined to find his missing father, Boong embarks on a journey with his best friend Raju, played by Angom Sanamatum.

 

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Their search takes them to the border town of Moreh and across into Myanmar, adding both emotional and geographical depth to the narrative. Through a child’s perspective, the film examines themes of loss, hope and resilience amid uncertainty.

Before its theatrical release in September 2025, Boong had already drawn international attention on the festival circuit. It premiered at the Toronto International Film Festival in 2024 and was later screened at the Indian Film Festival of Melbourne, the MAMI Mumbai Film Festival and the Warsaw International Film Festival, where it received positive critical response.

Also Read: Aamir Khan refutes reports of playing mediator in Farhan Akhtar-Ranveer Singh dispute

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