Tuesday, March 3, 2026

PIL targets The Kerala Story 2, seeks removal of ‘Kerala’ from title amid communal concerns

A new Public Interest Litigation (PIL) has been filed before the Kerala High Court challenging the title and release of the recently released film The Kerala Story 2. The petition, submitted on March 3 by a retired social science teacher and a practicing lawyer, calls for the removal of the word “Kerala” from the film’s title, arguing that it unfairly associates the State with sensitive and controversial themes.

According to the plea, the petitioners contend that the film’s title and subject matter risk portraying Kerala in a negative light. They have alleged that the narrative reportedly depicts the State as a centre for forced religious conversions, a portrayal they believe could damage its social and cultural image.

The petition also references an ongoing legal tussle involving the filmmakers. It notes that the producers have approached a Division Bench of the High Court challenging a recent interim order issued by a Single Bench, which had temporarily stayed the film’s release. The stay, the plea points out, was granted at a stage when the film was allegedly yet to be uploaded or publicly screened.

Beyond concerns over the State’s image, the petitioners have flagged the potential social repercussions of the film’s content. They argue that the narrative, as understood from available material, may foster hostility against members of the Muslim community in Kerala. The plea suggests that such a portrayal could disturb communal harmony and deepen existing sensitivities.

In addition to seeking changes to the title, the petitioners have requested judicial intervention to ensure that the film, if released, carries a clear disclaimer stating that the story is entirely fictional. They have urged the court to direct the Central Government and the Central Board of Film Certification (CBFC) to mandate such a disclaimer to prevent audiences from interpreting the narrative as factual.

The PIL further calls for broader regulatory reforms. Specifically, it seeks directions to the Centre and the CBFC to frame comprehensive guidelines governing film titles and taglines. According to the plea, such norms should ensure that no cinematic work denigrates or maligns any State, region, caste, or religion through its branding or promotional material.

The matter is expected to come up for consideration before the High Court in the coming days, adding another chapter to the ongoing debate around creative freedom, censorship, and the responsibility of filmmakers in handling sensitive socio-political themes.

Also Read: Madras High Court restrains illegal broadcast of The Kerala Story 2 until March 23



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BREAKING: Toxic: A Fairy Tale For Grown-Ups POSTPONED to June 4 due to rising tension in the Middle East; Dhurandhar: The Revenge to arrive SOLO on March 19

Sometime back, it came to light that the highly awaited film, Toxic: A Fairy Tale For Grown-Ups, has been pushed to June 4. This means that Dhurandhar: The Revenge will now arrive solo on March 19.

The official statement released by the makers stated, “KVN Productions and Monster Mind Creations today announced a strategic rescheduling of the global theatrical release for the highly anticipated action-drama, Toxic: A Fairy Tale for Grown-Ups. Originally slated for a worldwide premiere on March 19, 2026, the film’s release is being moved to June 4, 2026, due to the ongoing volatile escalation and regional instability in the Middle East.”

The statement further added, “As advised by one of their major distribution partner Phars Films, the decision to reschedule the release was made in response to escalating tensions and the resulting disruptions to cinema operations across the Gulf region, a key market for the film’s multi-language global rollout. The producers have been closely monitoring the rapidly evolving regional developments with the utmost caution. This announcement comes at a time when the makers were gearing up for a grand trailer launch for 8th March in Bengaluru, with media from across the country. The makers had already mapped out the film’s final promotional schedule ahead of its earlier release date of 19th March 2026. Even though the film’s first single, ‘Tabaahi,’ was ready for its scheduled debut on 2nd March, the makers chose to hold the music video and momentarily pause the promotional rollout, which was locked and to be activated within a day or two.”

It also said, “Toxic: A Fairy Tale For Grown-Ups is a film we conceptualized with the vision to create cinema for a global audience. Filmed in Kannada and English, it is built with the conviction to connect with viewers both at home and across the world. After years of dedicated labour, we were excited to share our film with you all on March 19. However, the current uncertainty, especially in the Middle East, has created a situation that impacts our goal to reach and connect with the widest possible audience. Therefore, in the interest of our partners and our audience, we have made the difficult but carefully considered decision to reschedule our release. We thank you for your understanding and patience and look forward to your continued love and support.”

The Middle East Factor

A trade source commented, “No one knows when the tensions in the Middle East will end.  Moreover, Toxic: A Fairy Tale For Grown-Ups has the potential to earn Rs. 40-50 crore or even more from the UAE-GCC belt. Hence, it makes sense to push the film and release it later, when the situation hopefully would be normal.”

The source added, “The exhibitors were worried about the clash of Dhurandhar and Toxic. But now, they can breathe easy.”

Also Read: SCOOP: This Eid, get ready for a long ride; Toxic’s runtime likely to be approx. 3 hours and 20 minutes; Dhurandhar: The Revenge expected to be longer



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Mandana Karimi slams ‘one-sided’ Iran coverage, urges Indian media to lend a platform to Reza Pahlavi - EXCLUSIVE

In an explosive, soul-bearing interview with Bollywood Hungama, actress and activist Mandana Karimi opened up about the personal and professional toll her advocacy for Iran has taken. The actress, who has been vocal against the Iranian regime amid the escalating Middle East conflict, revealed that her career in India has come to a standstill due to her outspoken political stance.

“Well since January, I've literally have left my work. I'm not working anymore. All my contract got cancelled. I've become too activist I've become too open about politics and I have messaged. I have emailed to platforms. I've said let's talk about it. I have videos I have images from Iran - Why are you not covering it?” Karimi shared, underscoring her frustration at what she describes as silence despite having access to ground-level material.

The actress, known for her appearance on Bigg Boss 9 and films like Kyaa Kool Hain Hum 3, also criticised sections of the Indian media for what she called skewed reporting. “No one has covered it and if they have covered it they were talking about how strong the regime is. They've kind of sold themselves into the whole propaganda of the government and Iranian government is very known for having these kind of Influencers or certain reporters to go to Iran and cover the situation. So I've been very disheartened from the media in India, and they haven't been covering well. Even now, when you look at India today, you know the way they're covering the news. It's so one-sided. It's not accurate - the answers and questions,” she stated.

 

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Karimi went on to urge Indian news platforms to provide space to opposition voices, specifically naming exiled Crown Prince Reza Pahlavi.“I would request Indian media - to whoever is watching this video from media – ‘Indian media, if you have brought the regime murderous Cabinet to India and you've actually given your platform to interview them and ask their opinion about what's happening in Iran; why aren't you bringing Reza Shah Pahlavi? Why aren't you bringing people who are working with Reza Shah Pahlavi? We want to also tell our side of the story’,” she urged.

She concluded with a pointed reminder: “Every story has two sides. It's never one-sided, right? You're a reporter, right? You're supposed to report the news. So why aren't you inviting Reza Pahlavi to your channel and let's talk.”

Her remarks come amid heightened tensions in the region. As of March 2026, the conflict has intensified following joint US-Israeli strikes targeting senior Iranian officials and military sites, prompting retaliatory missile attacks from Tehran and disruptions in the Strait of Hormuz. With reports of internal unrest and uncertainty within Iran’s leadership, the humanitarian situation continues to deteriorate, adding urgency to calls for broader global coverage of the crisis.

Also Read: EXCLUSIVE: Mandana Karimi plans to return to Iran if regime changes amid conflict; says, “I feel like I don’t have a voice in India”



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LEAKED set pics reveal Ranbir Kapoor’s long-haired avatar for Ramayana

Photos of Ranbir Kapoor from the sets of Ramayana have surfaced online, drawing widespread attention and sparking discussion among fans. The images, which began circulating on Reddit on Tuesday morning, appear to show the actor in costume during a shoot, holding a bow and dressed in traditional attire while crew members stand nearby with umbrellas and production equipment.

In the pictures, Kapoor is seen wearing long hair styled in waves, a tilak on his forehead, and period-style clothing. The images quickly made their way across social media platforms, where reactions were divided. While some fans expressed excitement about seeing a glimpse of the much-anticipated project, others criticised elements of the styling.

One Reddit user wrote, “All that $400 million budget and they couldn't arrange for a decent-looking wig?” Another commented, “Bollywood really sucks in the fake hair & fake beard department. You can notice this in any movie or TV show.” He looks so bad honestly 😭 by u/AgreeableScarcity568 in bollynewsandgossips

Producer Namit Malhotra has previously stated in interviews that the two-part adaptation of Ramayana is mounted on a budget of approximately $400–500 million, positioning it among the most expensive Indian film projects to date. However, the makers have not issued any statement regarding the leaked photos.

Alongside the images, a purported global promotion schedule for Ramayana also began circulating online. According to the unverified plan, the film’s trailer is slated for launch at the San Diego Comic-Con on July 23, 2026, followed by appearances at the Toronto International Film Festival. It further mentions promotional events at the Pingyao International Film Festival, the Tokyo International Film Festival, and the BFI London Film Festival, among others.

The schedule also lists a musical performance at London’s Royal Albert Hall featuring Hans Zimmer and A. R. Rahman, in addition to promotional events across India before a reported Diwali release on November 8, 2026.

As of now, none of these promotional details have been officially confirmed or denied by the production team.

Also Read: Love & War update: Ranbir Kapoor debuts clean-shaven look; sparks buzz around Sanjay Leela Bhansali’s next



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Monday, March 2, 2026

The Grahan effect: The real reason why Dhurandhar: The Revenge’s trailer won’t release on March 3

On Sunday, March 1, Bollywood Hungama announced that the trailer for Dhurandhar: The Revenge would be released digitally on Tuesday, March 3. However, by Monday, it emerged that Jio Studios was no longer planning to drop the highly anticipated promo on the stated date. Bollywood Hungama reached out to reliable sources to understand what triggered the last-minute change behind the scenes.

A source told Bollywood Hungama, “Reports of Dhurandhar: The Revenge’s trailer release on March 3 weren’t mere rumours. The makers genuinely planned to unveil it that day. But they were later informed that March 3 witnesses a Chandra Grahan (lunar eclipse), which is considered inauspicious for new beginnings. The inauspicious period is said to be from 9:39 am to 6:46 pm. Trailers are usually launched around noon, and this timing falls within the window. Hence, the team decided to postpone the trailer release.”

In February 2026, Bollywood Hungama had reported that the trailer of Dhurandhar: The Revenge would be launched on March 5 at Mumbai’s iconic Nita Mukesh Ambani Cultural Centre (NMACC). That plan was eventually dropped, and a digital launch was scheduled for March 3. Now, however, it appears the makers might unveil the trailer on March 5 or March 6 on digital platforms, without an event. The suspense continues on the exact date.

The Dhurandhar series stars Ranveer Singh, Akshaye Khanna, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun and Rakesh Bedi. The first part told the story of an Indian spy who infiltrates Pakistan’s criminal syndicate and political system and creates havoc.

Interestingly, Dhurandhar: The Revenge will have a gigantic clash at the box office with Toxic: A Fairy Tale For Grown-Ups. Directed by Geetu Mohandas, it marks the return of Yash of KGF fame and also stars Kiara Advani, Nayanthara, Huma Qureshi, Akshay Oberoi and others. The trailer of this mass-appealing flick will be unveiled on March 8 in Bengaluru at a grand event.

Also Read: No Dhurandhar: The Revenge trailer launch on Holi? Here’s what we know



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Ahaan Panday reveals he underwent painful shoulder surgery after Saiyaara: “I don’t know how nobody realised”

Actor Ahaan Panday has revealed that he underwent a major shoulder surgery following the release of Saiyaara, a procedure he describes as one of the most painful with the longest recovery period. In an interview with Esquire India, the actor shared that the decision to go under the knife stemmed from an old injury. A few years ago, Panday was involved in a snowmobile accident that resulted in a shoulder subluxation. The lingering impact of the injury began affecting his fitness goals, particularly as he prepared for an action film.

“I actually got a whole surgery done after the release of Saiyaara last year,” Panday said. “And it’s one of the most painful surgeries you can do, with the longest recovery time.”

According to him, his doctor had cautioned that post-surgery, his body would “go back to zero”, making it “nearly impossible” to achieve the desired physique for his next project. The warning did not deter him. Instead, Panday now says he feels satisfied being able to speak about the process and “prove everyone wrong.”

He reflected on how gym transformations in the film industry often serve as motivation, but pointed out that his journey was different. “I used to feel motivated by actors who had dramatic gym transformations,” he said, adding that those usually involved moving from an unhealthy body type to a healthier one. “This was different; I went from being injured, to not being able to move, to not being able to lift, to being able to lift.”

For months, Panday remained in a cast during recovery, a phase that he says largely went unnoticed. “I don’t know how nobody realised!” he remarked, amused. However, a few observant fans sensed something was off. Since Panday is not very active on social media, some turned to his mother’s fitness-focused social media pages, questioning why he appeared to be losing weight. “They were like, why is he losing so much weight,” he said, smiling at the memory.

 

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Having completed his recovery and returned to training, Panday is now focused on his upcoming projects. He will next be seen in a yet-untitled directorial by Ali Abbas Zafar, backed by Yash Raj Films. The actioner marks his second collaboration with the banner after Saiyaara, and the team has already commenced shooting.

Also Read: Ali Abbas Zafar on casting Ahaan Panday for next YRF film; says, “Audiences have connected with Ahaan because he’s simply present”



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Sunday, March 1, 2026

EXCLUSIVE: Ameena all set to complete 100 weeks in a Mumbai multiplex; the curious case behind its 'run'

There was a time when it was not unusual for films to complete 50 or 100 weeks in cinemas. But as times passed and due to the shift in business models, increase in number of screens and rise of OTT platforms, it’s a feat even for a film to run for 50 days on the big screen. Hence, it’ll be a surprise for moviegoers to learn that a small-budget film, Ameena, is about to complete 100 weeks in theatres.

Ameena was released on April 12, 2024, that is, in the same week as Bade Miyan Chote Miyan and Maidaan. Since then, popular films and grossers like Stree 2, Pushpa 2, Chhaava, Saiyaara, Mahavatar Narsimha etc., have been released and none of them ran for more than 10 or 15 weeks (Bollywood’s biggest grosser, Dhurandhar, currently in its 13th week and will also complete 15 weeks). Meanwhile, Ameena is running non-stop at Mumbai’s extremely popular MovieTime Hub multiplex in the morning show. At present, it is running in its 99th week; on Friday, March 6, it’ll complete 100 weeks and thus create history.

An industry insider told Bollywood Hungama, “Ideally, if a film is pulling in so many viewers for nearly two long years, it would have become a talking point on social media, the way it happens with Dilwale Dulhania Le Jayenge (1995) or the longest running Gujarati film of all time, Chaal Jeevi Laiye (2019). People would have excitedly discussed the film’s plot, themes, performances, songs etc. But how many people do you know who have seen the film? Have you ever seen any tweet or Instagram post/story about it?”

 

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Ground reality check

Last week, when Ameena was in its 98th week, Bollywood Hungama decided to watch the film to get a first-hand sense of the ground reality. As per a ticketing website, 20 tickets had been sold for our show. The pattern seemed unusual because all seats in the screen were available at a flat price of Rs. 100. In a normal scenario, patrons would book the back rows first. But in the case of Ameena, 18 tickets were booked in the first two rows, followed by two seats in the third row from the front.

This writer purchased a ticket at the booking counter and, as expected, was the only person inside the auditorium. None of the 20 people who had supposedly booked tickets turned up. The show, however, began as scheduled. It was stifling inside, as the air-conditioning didn’t seem to be switched on. During the intermission, when this writer requested a staffer to turn on the AC, he looked in disbelief and asked if the writer was watching Ameena. When the writer nodded, the kind staffer assured it would be done, and he kept his word. It left us wondering: Is Ameena being screened every day to an empty hall

 

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Bollywood Hungama kept track of Ameena’s bookings on the ticketing website over the next few days and noticed a pattern: every day, 20 tickets for the show ‘get sold’ in the exact same order –18 in the first two rows, followed by two seats in the third row from the front.

That’s not all. The Instagram handle of the film’s production house, Kumar Raj Productions, has shared a video of a man informing his followers about Ameena’s unbelievable run. Text displayed throughout the video lists three phone numbers that viewers can call to get free tickets for Ameena. When the film was in its 65th week, a post mentioned in bold letters that tickets to the film were available for free.

Producer speaks up

Bollywood Hungama exclusively spoke to producer-director Kumar Raj, who also features in the film in a supporting role. He was very jovial and spoke warmly to us. He began by saying about his plans for the 100th week celebration, “We are going to call the press, party with them and gift them a 5-inch gold coin. Everyone who worked on the film would also be getting some gifts.”

He claimed that there’s a lot of demand even from foreign shores to write about Ameena, “I got a call from Time magazine. I don’t know if it was genuine or not! They were excited about the fact that Ameena is the first movie in the world to complete 100 weeks in the last 30 years. For 5 weeks, they were after me. Finally, I gave them an interview yesterday. I don’t know if they are going to publish a negative or positive report! As long as they are writing about our film, I am happy (smiles). They claimed that they are going to publish a full-page story along with posters of Ameena.”

The posters of Ameena, splashed across newspapers, mention that they are inviting OTT platforms to buy their film. Names of prominent streaming giants like Netflix, Amazon Prime Video, Zee5, SonyLIV, JioHotstar etc. are mentioned. Even Voot gets a mention, though it merged with JioCinema (which later merged with Hotstar).

 

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However, Kumar Raj said, “I started getting a lot of offers from OTT in the very first week itself. But I was clear, ‘Picture jab tak chalti hai, chalne do’. My film was also released in Tamil, Telugu, Malayalam and Kannada.”

He continued, “A famous distributor from down South has arrived in Mumbai. Tomorrow, he’s going to see the movie. He wants to screen this film in several cinemas. In fact, he asked me to send him a flight ticket so that he could come down to Mumbai. But I categorically told him to fly down at his own cost.”

When asked about the average occupancy of Ameena’s shows, Kumar Raj replied, “On the weekends, it is 75% full. During the holidays, the show is 100% sold out. We are getting a lot of repeat audiences as well. During weekdays, shows are approx. 30% full. This is a huge feat, as even the biggest of films don’t get such an audience. At times, when I watch a biggie in the theatre, there are barely 4-5 people in the auditorium.”

He added, “You can ask the team of BookMyShow. They’ll officially provide you with actual collections of the film.”

Kumar Raj also opened up about his earlier film, Tara: The Journey Of Love And Passion (2013), “It has amassed 16 million views on one of the websites (YouTube). It has won 600 international awards and has a mention in 35 book of world records. However, I don’t like to blow my own trumpet.”

Finally, we asked him about the belief in the industry that he’s himself buying the tickets of Ameena. He smiled and simply replied, “Kuch toh log kahenge, logon ka kaam hai kehna.”

About Ameena and Tara

Ameena stars Rekha Rana in the lead role of Meena, a theatre actor. One day, she is brutally raped by three men. She fears that she may not get justice in the court of law and hence, decides to eliminate her rapists. Help comes in the form of a cartel of those directly or indirectly affected by rape. The other actors in the film are Ananth Narayan Mahadevan, Utkarsh Kohli, Manu Malkan etc. The film has been shot not just in Mumbai but also in Los Angeles, Senegal, Dubai, Abu Dhabi, as well as Cannes.

Meanwhile, Kumar Raj’s earlier film, Tara: The Journey Of Love And Passion also starred Rekha Rana. While Ameena aims to complete 100 weeks, Tara ‘ran’ for 50 weeks, in Mumbai’s now-defunct single-screen cinema, Imperial.



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