Karan Johar says working with “terrifying” Saroj Khan on DDLJ “traumatised” him

Filmmaker Karan Johar has opened up about a challenging experience early in his career, recalling how legendary choreographer Saroj Khan reacted to his involvement during the making of Dilwale Dulhania Le Jayenge (DDLJ). In a conversation with The Hollywood Reporter India, Johar described the encounter as frightening and emotionally taxing, even though he ultimately acknowledged Saroj Khan’s talent.

Johar began his career in the film industry as a costume assistant on the 1995 romantic drama, working under Aditya Chopra and alongside designer Manish Malhotra. Years later, he reflected on the intensity he experienced on set, particularly during the filming of the song ‘Mehndi Laga Ke Rakhna.’

“At that time, the costume dada was my biggest ally… Manish would come in the morning, hand over the clothes, and leave. I was the costume assistant, and Pam aunty was deeply involved in the process,” Johar recalled, referring to Pamela Chopra’s hands-on role with costumes.

Trouble emerged when Saroj Khan requested additional red scarves for dancers mid-shoot. The team did not have enough fabric on hand, prompting Johar to suggest a workaround to Saroj’s assistant: “…it would look stylish if the dancers put one hand in their pocket and held the scarf in the other.”

However, when Saroj Khan learned of the idea she was not receptive. Johar said she “lost it,” demanding red satin cloth immediately or threatening not to shoot. He later described the ordeal vividly: “She caught hold of me — literally pushed me — and said, ‘Go wherever you have to. Go to Goregaon, bring the red cloth, or I will not shoot.’ I remember running on the streets of Goregaon with the costume dada, desperately looking for red satin cloth. I was scared for my life. I was traumatised. She was terrifying.”

Despite the fear he felt at the time, Johar balanced his account by acknowledging Saroj Khan’s skill and contribution to Indian cinema. “She was scary, but she was the best. She didn’t like me at all. She was just unhappy with me,” he said, underlining the creative intensity she brought to her work.

Johar also shared a lighter memory from the same production involving his tendency to give unsolicited costume suggestions. During the filming of ‘Tujhe Dekha Toh Yeh Jaana Sanam,’ he playfully dressed the lead actors in dungarees — an idea Saroj Khan reacted to with surprise. “She looked at them and said, ‘‘Yeh baba baby banke kyun aaye hain?’’ I answered back… She’d be like, ‘Yeh kyun bolta rehta hai?’ because I was always giving my two cents,” he said with a laugh.

Also Read: Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

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Ranveer Singh and Excel Entertainment clash over Rs 40 crores after Don 3 exit: Report

A financial dispute has emerged between Bollywood actor Ranveer Singh and Don 3 producers Farhan Akhtar and Ritesh Sidhwani’s Excel Entertainment following Singh’s reported exit from the much-anticipated action thriller. The production house is seeking compensation of Rs 40 crores for alleged losses incurred after the actor stepped away from the project.

The conflict has taken an industry spotlight not over box office performance, but over costs associated with pre-production. Sources cited in a report by Variety India indicate that Excel Entertainment claims it invested heavily in early stages of development — including scheduling, location planning and hiring crew — based on Ranveer Singh’s commitment to play the lead role.

Ranveer Singh is said to strongly contest the demand. According to the report, he argues he should not be held financially responsible for leaving the project. “Ranveer claims he left the project because he wasn’t happy with the script. He kept asking for changes to be made and didn’t like what the final draft read,” the report quoted, while noting that Excel maintained pre-production moved ahead only after Singh had given his approval.

The report further stated that several heads of departments were released from their roles and asked to seek alternative work, a move the production house attributes to the financial setback. This element of the dispute underscores the broader impact such disagreements can have on film crews and production timelines.

A two-hour meeting between representatives of Ranveer Singh and Excel was held last Friday to resolve differences, but sources told reporters that no agreement was reached. With tensions persisting, the Producers Guild of India (PGI) has stepped in to mediate between the parties in hopes of finding common ground and preventing further escalation.

Neither Ranveer Singh nor Excel Entertainment has issued an official statement on the matter as of this writing. The dispute comes at a time when Singh is preparing for the release of Dhurandhar: Part 2, while Excel still evaluates its slate following delays to Don 3.

Also Read: Suniel Shetty praises Aditya Dhar and Ranveer Singh after watching Dhurandhar; calls it ‘mind-blowing film’

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FWICE demands withdrawal of Ghooskhor Pandat title, warns of strict action

The controversy around the upcoming Netflix film Ghooskhor Pandat, produced by Neeraj Pandey and starring Manoj Bajpayee, grew more intense this week after the Federation of Western India Cine Employees (FWICE) formally objected to its title and urged the makers to withdraw it, warning of significant industry action if the demand is not met.

The dispute began soon after the film’s announcement and teaser release, with many viewers and various organisations criticising the title Ghooskhor Pandat as offensive and potentially derogatory toward a specific community. The title combines ghooskhor — a colloquial Hindi term for someone who takes bribes — with Pandat, commonly associated with the Brahmin community. Critics argued that this linkage could perpetuate stereotypes and hurt sentiments. FWICE’s Objection and Warning FWICE, a body representing workers, technicians and artists across more than three dozen affiliated associations, sent a letter to producers’ bodies and major OTT platforms, including Netflix, Amazon Prime Video, Zee5 and SonyLIV. The organisation, according to a PTI report, stated: “FWICE and all its affiliated associations strongly object to the use of this title, as it appears to single out and target a particular community and its traditional means of livelihood in a derogatory and offensive manner.”

The letter added, “Such a title has the potential to hurt sentiments, provoke misunderstanding, and disturb social harmony… We therefore appeal to all producer bodies to refrain from allowing the registration or continuation of film titles that are provocative in nature and capable of creating unrest among Indians.” The federation emphasised that the film industry, as a platform of influence, has a responsibility to avoid promoting disrespect or division.

FWICE also warned that if the title is not withdrawn promptly, it may advise its associations and members to distance themselves from any project associated with the film’s production house. This could translate into a boycott of technicians and crew working on future films by the same producers. Government, Legal and Public Reaction to Ghooskhor Pandat The controversy crossed into legal and political arenas. In Lucknow, an FIR was lodged against the film’s creators for allegedly hurting caste sentiments, and a writ petition has been filed in the Delhi High Court seeking a stay on the film’s release on grounds that the title is “communally offensive.”

Political organisations and leaders have also joined the criticism. The Vishwa Hindu Parishad (VHP) labelled the title as “offensive” and has urged appropriate measures against the film. Amid the backlash, authorities reportedly directed Netflix India to remove the teaser and related promotional content from official channels.

Responding to the uproar, Neeraj Pandey issued a statement acknowledging that the title had “hurt” some viewers and announced that all promotional material for the project would be taken down for the moment. He clarified: “Our film is a fictional cop drama… the term ‘Pandat’ is used simply as a colloquial name for a character. The story focuses on an individual’s actions and choices and does not comment on or represent any caste, religion or community.”

Manoj Bajpayee also addressed the controversy on his official social media, writing: “I respect the emotions and concerns people have shared, and I take them seriously… For me, this was about portraying a flawed individual and his journey of self-realisation. This was not meant to be a statement about any community.”

Beyond FWICE, the Film Makers Combine (FMC) — another industry body — has objected to the title on procedural grounds, noting that Ghooskhor Pandat had not been formally approved under standard title registration processes. The organisation has cautioned the production and Netflix against using an unauthorized title.

Also Read: After Neeraj Pandey, Manoj Bajpayee addresses backlash over Ghooskhor Pandat title: “Not meant to be a statement about any community”

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“Disappointing”: Vikrant Massey BREAKS SILENCE on being replaced by Raghav Juyal in Nitesh Tiwari’s Ramayana

Actor Vikrant Massey addressed widespread rumours surrounding his alleged role in Ramayana, a two-part film directed by Nitesh Tiwari, and reports that he was replaced by Raghav Juyal. The speculation began earlier this week, triggering reactions across social media and entertainment outlets.

In a post shared on his Instagram Stories, Massey firmly denied being part of the project. “Ok. To put the rumours to rest. I never was a part of Nitesh Tiwari’s Ramayan,” he wrote, reflecting on the coverage that suggested he had lost a role in the film. “The many media portals reporting about my supposed ‘replacement’ should’ve done the requisite background check. Disappointing. Nonetheless, wishing everyone a part of the movie all the very best. Love.”

The actor later deleted the post from his Instagram Story, though no explanation was given for its removal.

The controversy stemmed from a report by Variety India mentioning that Raghav Juyal had been cast as Meghanad (also called Indrajit) — the eldest son of Ravana and a key warrior in the Ramayana narrative — for Ramayana: Part 2. The same report indicated that the role was once linked to Massey before the filmmakers made a different casting choice. The publication quoted a source saying, “The role was initially supposed to be played by Vikrant Massey, but things apparently didn't work out. Raghav was subsequently approached, and he immediately came on board.”

Despite the buzz, Massey made it clear he had no official involvement with the project at any stage. The deleted clarification post was his way of countering the growing speculation.

Nitesh Tiwari’s Ramayana is being produced as a two-part cinematic adaptation of the ancient Indian epic and is expected to be among the biggest live-action films in Indian cinema. Ranbir Kapoor headlines as Lord Ram, while Sai Pallavi plays Goddess Sita. Yash embodies Ravana, with Sunny Deol as Hanuman and Ravie Dubey as Lakshman. The ensemble cast also includes several other prominent actors in key roles.

The first part of Ramayana is scheduled for a Diwali 2026 release, while the second installment is expected around Diwali 2027.

Also Read: Musafir Café on Netflix: Vikrant Massey, Vedika Pinto and Mahima Makwana lead a soulful love story

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EXCLUSIVE: Salman Khan’s Battle Of Galwan to release on Independence Day 2026

Earlier in the day, Bollywood Hungama announced that the much-awaited film, Battle Of Galwan, might not be able to make it on April 17, as scheduled. The news went viral as soon as it went live. We now bring to you another exciting update – the new release date of the Salman Khan-starrer.

A source told Bollywood Hungama, “Battle Of Galwan has indeed been postponed and it’ll now release on August 14, 2026. Salman Khan and the makers are of the opinion that it would be a better date since India’s Independence Day falls on August 15. The patriotic sentiment will be at an all-time high and Battle Of Galwan would be an ideal flick to watch in this period.”

The source further said, “The makers are expected to shortly announce the new release date of Battle Of Galwan officially.”

Earlier, Bollywood Hungama, in its article, carried a quote from a source who explained the reason for the delay, “The shoot is not yet over and the reshoot is taking more time than expected. From Monday, February 9, a one-week schedule will commence in the Golden Tobacco Factory in Mumbai. After this schedule gets over, a few more days of shooting are left and by February-end, it’ll be a wrap.”

The source further said, “Director Apoorva Lakhia will begin editing the reshot portions. And that’s not all. As per the rules, Battle Of Galwan needs to be shown to the Ministry of Defence and this process might also take time. Due to these two reasons, the makers feel that they would not be able to meet the April 17 deadline. Salman Khan is clear that such a special, patriotic film needs to be nurtured well. He has told the team of the film that they should not rush through the process and take their time in ensuring that the final product looks appealing, compelling and cinematic.”

Interestingly, Battle Of Galwan will now clash with Kartik Aaryan-starrer Naagzilla.

Also Read: Salman Khan back on Battle Of Galwan sets for 15-day additional shoot and patchwork; action scene added

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Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

The Rashtriya Swayamsevak Sangh (RSS) completed 100 years in 2025. As part of its centenary celebrations, a grand two-day event is being held at a sprawling auditorium in Mumbai. The first day of the event took place on Saturday, February 7, with several prominent personalities from various fields in attendance. The Bollywood film fraternity was not far behind and many celebs attended the first day of the event like superstars Salman Khan and Ranbir Kapoor, filmmakers Mohit Suri, Subhash Ghai, Nitesh Tiwari, Mahaveer Jain, Om Raut, Vikram Malhotra, lyricist Prasoon Joshi and others.

The second day of the event was also star-studded. While Ranbir attended the first day of the event, his Love & War co-star Vicky Kaushal made his presence felt on day 2. Karan Johar and Ananya Panday were also present and they were joined by veteran actor Jackie Shroff, the evergreen Raveena Tandon and Shilpa Shetty, music composer Pritam Chakraborty, singer Adnan Sami, television star Rupali Ganguly, Marathi actor Subodh Bhave, talented performer Viineet Kumar Siingh, and filmmakers Nitesh Tiwari, Madhur Bhandarkar, Mahesh Manjrekar, Aanand, L Rai, Amar Kaushik, Amit Sharma, Ramesh Taurani, Anand Pandit, Arunabh Kumar and others.

On the film front, Ananya Panday and Karan Johar are gearing up for their romantic flick, Chand Mera Dil. It also stars Lakshya of Kill (2024) and The Ba***ds Of Bollywood (2025) fame and is directed by Vivek Soni, whose Netflix original Aap Jaisa Koi (2025), starring R Madhavan and Fatima Sana Shaikh, received rave reviews.

Ananya Panday and Karan Johar’s last film together, Tu Meri Main Tera Main Tera Tu Meri (2025), was released in cinemas on Christmas. It recently premiered on Amazon Prime Video on rent. Meanwhile, Ananya is currently working on the second season of Call Me Bae. Incidentally, the slice-of-life show is also backed by Karan Johar.

Besides Call Me Bae Season 2 and Chand Mera Dil, Karan Johar is also gearing up for the Konkona Sen Sharma-Pratibha Ranta Netflix film Accused, Kartik Aaryan-starrer Naagzilla, Ayushmann Khurrana-Sara Ali Khan untitled flick, a thriller with Aditya Roy Kapur etc.

Also Read: Salman Khan, Ranbir Kapoor and others attend the 100-year celebration event of RSS in Mumbai

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Ishaan Khatter buys Rs. 29.37 crore luxury apartment in Mumbai’s elite Pali Hill area

Bollywood actor Ishaan Khatter has reportedly made a significant real estate investment in Mumbai, purchasing a luxury apartment in the city’s upscale Pali Hill neighbourhood for Rs. 29.37 crore. The transaction details have emerged through property registration documents accessed by real estate data platform CRE Matrix.

According to the documents, Ishaan has acquired the apartment at Navroz Apartments, located in Bandra’s Pali Hill, under the Navroze Premises Co-operative Society. The high-end residence boasts a carpet area of 2,989.05 square feet, making it a spacious addition to the actor’s property portfolio. The seller of the apartment has been identified as Kapil M. Mahtani, and the transaction was officially registered on February 5, 2026.

The paperwork further reveals that the actor paid approximately Rs. 1.76 crore in stamp duty for the deal. In addition to the apartment, the purchase also includes four dedicated parking spaces, a valuable asset in one of Mumbai’s most sought-after residential zones. As of now, Ishaan Khatter has not issued any official statement confirming or commenting on the property purchase.

Pali Hill, situated in Bandra, continues to remain one of Mumbai’s most prestigious and exclusive residential areas. Known for its prime location and accessibility, the locality has long been home to several prominent Bollywood personalities and high-net-worth celebrities such as Aamir Khan, Shah Rukh Khan, Ranbir Kapoor, Alia Bhatt, Dilip Kumar, Jackie Shroff, and Sanjay Dutt, among others, own properties in and around the Pali Hill area, further underlining its elite status.

The reported purchase comes at a time when Ishaan Khatter is enjoying a notable phase in his career. The actor received widespread appreciation for his performance in Homebound, co-starring Vishal Jethwa and marking a reunion with his debut co-star Janhvi Kapoor. Produced by Dharma Productions and Neeraj Ghaywan, the film gained international attention and even entered the Oscars nomination race, bringing global visibility to the project.

Closer home, Ishaan also connected with Indian audiences through the Netflix series The Royals, where he featured alongside Bhumi Pednekar, Sakshi Tanwar, and Zeenat Aman. With strong critical and audience reception to his recent work, the actor’s reported investment in a prime Mumbai property appears to reflect both professional stability and long-term planning.

Also Read: Ishaan Khatter and Vishal Jethwa react to Homebound losing the Oscar race in heartfelt Instagram posts

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