Monday, September 14, 2026

Ganesh Acharya announces new directorial Ganesh Dust To Stardust; unveils first poster

Ganesh Acharya has announced his next directorial, Ganesh Dust To Stardust, unveiling the film’s first poster and an announcement video. The first glimpse introduces the film’s visual world while keeping details about its story and characters under wraps.

Written and directed by Ganesh Acharya, the film marks his next project as a filmmaker. The announcement video offers an initial look at the scale and setting of Ganesh Dust To Stardust, using dramatic visuals and an expansive presentation to build curiosity around the project.

The first poster also gives a glimpse into the film’s visual identity, while further details about its narrative and characters are yet to be revealed. The makers are expected to announce more information about the cast and the film in the coming days.

 

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Speaking about the film, Ganesh Acharya says, “Ganesh Dust To Stardust is a very special film for me. We have made it with a lot of heart, and I am excited to finally share its first glimpse with the audience. I hope they enjoy what we have created.”

Known primarily for his work as a choreographer and filmmaker, Ganesh Acharya has also directed films across mainstream Hindi cinema. With Ganesh Dust To Stardust, he takes on the role of storyteller once again, with the project being presented on a larger cinematic canvas.

The film is produced by Soundarya under V2S Production & Entertainment. Ganesh Acharya is directing the project, while the screenplay and dialogues have been written by Digangana Suryavanshi and Ganesh Acharya.

With the first poster and announcement video now released, the film has begun its promotional journey. More details about the cast, storyline and other aspects of Ganesh Dust To Stardust are expected to be revealed in due course.

Also Read : Ganesh Acharya on his first collaboration with Anil Kapoor, “I had wanted to work with Anil sir for a long time”



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Sunday, September 13, 2026

EXCLUSIVE: Anya Singh bags Vikram Bhatt’s 1920: Cold Winter; reunites with Ahan Shetty after Border 2

A couple of weeks after the release and surprising box office performance of Haunted – Echoes Of The Past, director Vikram Bhatt and producer Anand Pandit announced that they would join hands for 1920: Cold Winter. A month later, in July 2026, it was reported that Ahan Shetty has signed the horror flick. And now, Bollywood Hungama has come across an interesting information about the film.

A source told Bollywood Hungama, “Anya Singh, who became widely known after The Ba***ds Of Bollywood, has come on board as the female lead of the film. The makers were impressed by Anya’s screen presence and talent, and felt that she would be apt for the part. Anya is also excited as she has never attempted horror before in Bollywood.”

Interestingly, both Ahan Shetty and Anya Singh also shared screen space in this year’s super-hit war film, Border 2. While Ahan played the role of Lt Cdr Mahendra Singh Rawat, Anya was seen as his wife, Sudha Rawat. Hence, 1920: Cold Winter marks the second film in which Ahan Shetty and Anya Singh will be paired opposite each other.

As per reports, 1920: Cold Winter will go on floors in November this year. It will be the sixth film in the 1920 franchise. The series began with 1920 in 2008. It was directed by Vikram Bhatt and launched Adah Sharma and Rajniesh Duggal. While 1920 was average, the next film, 1920: Evil Returns (2012), was a semi-hit. It starred Aftab Shivdasani and Tia Bajpai and was directed by Bhushan Patel. 1920 London (2016), meanwhile, was directed by Tinu Suresh Desai and featured Sharman Joshi and Meera Chopra. Vikram Bhatt was involved with the second and third parts as writer and producer.

1921 (2018) was produced, written and directed by Vikram and it featured Zareen Khan and Karan Kundrra. While 1920 London flopped at the box office, 1921 was an average grosser.

1920: Horrors Of The Heart (2023) was also directed by Vikram Bhatt and it was his first association with producer Anand Pandit. Starring Avika Gor and Danish Pandor, the horror flick performed decently at the box office.

Also Read: Anya Singh opens up about changing fashion views; says, “It’s such a generic thought to have, and women do that to other women as well”



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Sayani Gupta’s Aasmani cleared of copyright infringement allegations by SWA

Sayani Gupta’s directorial debut Aasmani has been cleared of copyright infringement allegations by the Screenwriters Association’s (SWA) Dispute Settlement Committee (DSC). The complaint had been filed against Gupta and editor Paramita Ghosh, alleging similarities between the short film Aasmani and Prabha, an unfinished documentary.

After examining the submissions from both sides and carrying out independent expert comparisons, the DSC observed that the two works shared only an underlying idea. According to the committee, the storytelling, character development, conflict and overall story arc were different in the two works.

The DSC further noted that copyright law protects the expression of an idea rather than the idea itself. It also took into account that the complainant’s work is a documentary based on the publicly known life of a real person.

The committee also referred to a separate defamation suit filed by Gupta against the complainant. The court has reportedly passed an order favourable to Gupta in that matter. Since certain issues involved in the defamation proceedings overlap with those raised in the DSC complaint, the matter is now sub judice, which prevents the DSC from proceeding with further adjudication.

Accordingly, the SWA proceedings have been concluded and the complaint has been closed at its end, without prejudice to the legal rights and remedies available to either party.

The development comes as Aasmani continues its international festival journey. The copyright complaint had emerged during the film’s festival run, and the closure of the proceedings brings the dispute before the SWA to an end.

Reacting to the development, Gupta said, “As I had said earlier, truth will always prevail. I had respected the process and grateful that the truth has come out. It always does. This has been the most harrowing experience of my life. But as my grandmother would often quote Tagore and say 'tomar potaka jaare dao, bohibare dao shokoti'.. ‘whoever you give your flag to bear, you also give them the strength to bear it.’”

Also Read : Sayani Gupta gets interim relief in defamation case over copyright dispute around Aasmani



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IMPPA issues clarification over ‘incorrect’ interpretation of Bombay High Court order

The Indian Motion Picture Producers’ Association (IMPPA) has issued a clarification regarding what it described as incorrect interpretations of a recent order passed by the Bombay High Court in connection with a dispute between Saffron Magicworks Private Limited (owned by Nikhil Dwivedi) and Andolan Films Private Limited (owned by Vikramaditya Motwane). IMPPA has also been impleaded in the proceedings.

According to the association, certain communications and news reports currently in circulation have presented an inaccurate understanding of the scope and effect of the High Court’s order. IMPPA stated that its involvement in the matter was limited to carrying out its institutional responsibilities under its Memorandum and Articles of Association.

The association explained that the dispute between Saffron Magicworks Private Limited and Andolan Films Private Limited had been placed before IMPPA’s Dispute Resolution Committee. Any determination or direction issued by the committee, it clarified, was related to the parties involved in the dispute and the specific issues that had been brought before it.

IMPPA further stressed that it has no independent commercial claim or interest in the underlying dispute between the two companies. The association also urged that the High Court’s order should be understood strictly on the basis of its express terms.

Addressing reports suggesting restrictions on its functioning, IMPPA clarified, “No blanket restraining order has been passed against IMPPA restraining the discharge of its institutional functions.” The association said that some reports presently being circulated do not accurately reflect the order’s scope or its implications for IMPPA.

IMPPA also stated that it does not accept any characterization of the court order that goes beyond what has been expressly stated by the High Court. The association maintained that it will continue to carry out its responsibilities in accordance with applicable law, its governing framework and the directions issued by the court.

The clarification comes amid reports and communications surrounding the legal dispute involving Saffron Magicworks and Andolan Films. Through its statement, IMPPA has sought to distinguish its institutional role from the commercial dispute between the two parties and clarify the extent of the court’s directions concerning the association.

Also Read : BREAKING: Nikhil Dwivedi’s Saffron Magicworks secures a Bombay High Court restraining order against IMPPA



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Saturday, September 12, 2026

EXCLUSIVE: Legendary cinematographer Ashok Mehta’s life and legacy to be chronicled in Amit Ashar’s coffee table book

Ace still photographer Amit Ashar is working on a book on the life and legacy of legendary cinematographer Ashok Mehta, Bollywood Hungama has exclusively learned. The coffee table book traces Mehta’s filmmaking journey and his phenomenal career through a remarkable collection of photographs captured by Ashar over the span of more than three decades.

Set to release in late 2026, the book features exclusive, unseen photographs, complemented by personal write-ups from some of Indian cinema's most respected filmmakers and celebrities Mehta has closely worked with. Together, the visuals and words aim to celebrate Mehta’s enduring influence on Indian cinematography and the legacy he has left along.

Mehta started off as a runway hooker and ended up as a National Award-winning cinematographer. He was one of the highest-paid technicians of his generation and worked with both art-house and mainstream commercial filmmakers, leaving a distinct visual signature on every project he touched. His most-acclaimed work credit includes Aparna Sen’s 36 Chowringhee Lane (1981), Shyam Benegal’s Mandi (1983), Gulzar’s Ijaazat (1987), Girish Karnad’s Utsav (1984), Subhash Ghai’s Ram Lakhan (1989), and Shekhar Kapur’s Bandit Queen (1994), among others.

Amit Ashar has been developing this book for a year now. He considers it a deeply personal tribute, as Mehta has been his mentor, leading light, and close friend. Over a span of 30 years, he captured rare, intimate, and behind-the-scenes photographs of the cinematographer working on various film sets. His forthcoming book is being defined as an extensive archive that brings together both iconic and lesser-seen moments from his journey.

Also Read: Divyenndu reveals his Instagram and Twitter accounts were created by Shraddha Kapoor and Anupam Kher



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BREAKING: Daayra marks Kareena Kapoor Khan’s TENTH film to receive ‘A’ rating from CBFC; Kunal Kemmu’s Vibe also gets adult certificate

It’s the year of adult films, it seems. After Dhurandhar The Revenge, Mirzapur, Cocktail 2, Batwara 1947, O'Romeo, Assi, Bandar etc. the two big Hindi releases next week have also received an ‘A’ rating from the Central Board of Film Certification (CBFC).

Daayra, starring Kareena Kapoor Khan and Prithviraj Sukumaran, was passed today, that is, September 11, by the CBFC, with an ‘A’ rating. The length of the film, as per the censor certificate, is 143,16 minutes. In other words, Daayra is 2 hours, 23 minutes and 16 seconds long. The investigative thriller is directed by Meghna Gulzar.

Daayra marks Kareena Kapoor Khan's tenth film that will be for adults only. The other 9 films were Ajnabee (2001), Chameli (2003), Dev (2004), Omkara (2006), Kurbaan (2009), Heroine (2012), Udta Punjab (2016), Veere Di Wedding (2018) and The Buckingham Murders (2024).

Meanwhile, Vibe was also passed by the CBFC today. The comic caper also received an ‘adults only’ rating from the Censor Board. According to the CBFC website, Vibe's length is 145.55 minutes, or 2 hours, 25 minutes and 55 seconds.

Vibe stars Kunal Kemmu, who is also the film’s director. Besides Kunal, the film stars Preity G Zinta, Sparsh Shrivastava, Vanshika Dhir, Dinesh Lal Yadav aka Nirahua and Yashpal Sharma. Vibe is the second film of Preity G Zinta after her comeback. Her previous film, Batwara 1947, was released last month and also received an ‘A’ rating.

An industry insider commented, “Daayra’s ‘A’ rating is understandable as the film deals with a theme that is suitable for adult and mature audiences. However, Vibe looks like a fun entertainer that can be enjoyed by adults as well as kids and teens. It seems to be in the zone of Kunal Kemmu’s previous directorial, Madgaon Express (2024), which had received a U/A rating. Hence, its adult certification will come as a surprise for many.”

Both Daayra and Vibe will release in cinemas on September 18.

Also Read: Preity Zinta reveals why she avoids watching her own films; says, “I feel very awkward”



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Ameesha Patel’s parents’ Mumbai home robbed, jewellery worth Rs 5 lakh reportedly stolen

Ameesha Patel’s parents’ residence in Mumbai’s Churchgate area was allegedly targeted in a jewellery theft, with valuables worth around Rs 5 lakh reported missing. Mumbai Police have arrested a 40-year-old domestic worker in connection with the case following a complaint filed by the actress’s mother, Asha Patel.

According to IANS, the accused has been identified as 40-year-old Seema Ghate, a resident of Palghar. Ghate had reportedly been working as a domestic helper at the residence of Ameesha’s mother, Asha Patel, for around one and a half years.

The alleged theft came to light after Asha Patel approached the Marine Drive police and filed a complaint. According to the police, a bangle was allegedly stolen from the residence in January 2026. Asha reportedly suspected Ghate of being involved in the incident and had allegedly been asking her for around five to six months to admit to the crime and return the jewellery.

However, the bangle was allegedly not returned, following which Asha Patel decided to approach the police. The Marine Drive police initially registered a case against an unidentified woman under Section 306 of the Bharatiya Nyaya Sanhita (BNS).

As part of the investigation, a crime detection team worked on the case and traced the accused to Virar. Ghate was subsequently detained and arrested by the police. She was produced before a court and has been remanded to police custody until September 15.

The investigation into the alleged theft is currently underway. Police are attempting to recover the missing jewellery, while the bangle reportedly remains unrecovered. Authorities are also checking whether Ghate has any previous criminal record.

Meanwhile, Ameesha Patel has been associated with Bollywood for more than two decades. She made her acting debut in 2000 with Kaho Naa... Pyaar Hai, which went on to become a commercial success. She later appeared in films including Gadar: Ek Prem Katha, Humraaz, Honeymoon Travels Pvt. Ltd., Bhool Bhulaiyaa and Race 2.

In 2023, Ameesha reprised her role in Gadar 2, which became her highest-grossing release. She was last seen in Tauba Tera Jalwa, directed by Akashaditya Lama, which released in 2024.

Also Read : Ameesha Patel shuts down Hardik Pandya romance speculation with sarcastic reply to X user: ” I don’t know u but surely u don’t have a girl even as a friend”



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