Saturday, December 6, 2025

Multiplex Association of India sounds alarm over Netflix–Warner Bros. mega deal; calls it ‘a direct threat to theatrical ecosystem’

The Multiplex Association of India (MAI) has issued a strong statement expressing “deep concern” over Netflix’s proposed acquisition of Warner Bros. Discovery, calling the development a potential setback for India’s theatrical landscape. The industry body, which represents multiplex chains across the country, cautioned that the merger could disrupt the supply of major studio films to cinemas — a key driver for footfalls, revenues and industry stability.

On December 5, Netflix and Warner Bros. Discovery announced a landmark agreement valued at an enterprise price of $82.7 billion, marking one of the biggest entertainment mergers to date. The deal, expected to close after the separation of WBD’s Global Networks division in Q3 2026, would bring Warner Bros.’ storied film studios, HBO and HBO Max under Netflix’s umbrella. While Netflix has stated it will maintain Warner Bros.’ theatrical operations, MAI believes the streaming platform’s historical approach to cinema releases raises red flags.

Kamal Gianchandani, President of MAI, underscored the gravity of the situation in a detailed statement. “The Indian theatrical market thrives on choice, scale, and cultural diversity. Warner Bros. has historically been a key partner to Indian cinemas, contributing consistently to our release calendar with successful global and local titles,” he said.

Highlighting the extensive economic footprint of cinemas, Gianchandani added, “Cinemas in India are more than entertainment venues. They are cultural hubs and significant economic contributors. They support millions of livelihoods across production, distribution, exhibition, F&B, and ancillary services.”

MAI stressed that Netflix’s long-standing preference for limited theatrical releases could severely affect the flow of studio content to cinemas. “Netflix has consistently made it clear through its limited and highly restrictive approach to theatrical releases that it does not believe in the cinema-first model,” the statement read.

“If this acquisition proceeds, the risk is two-fold — a meaningful reduction in high-quality content for cinemas, and the potential for shortened or non-existent theatrical windows. This would inevitably impact revenues, limit consumer choice, and weaken the broader ecosystem of film production, distribution, and exhibition in India,” Gianchandani warned.

The association further stated that a consolidation of this scale “warrants careful scrutiny,” adding that it will continue to present its concerns to regulatory authorities in India and abroad.

As the Netflix–Warner Bros. deal continues to generate worldwide debate, MAI’s strong stance highlights the growing tension between streaming-first strategies and the traditional theatrical business — a conflict that could reshape how audiences in India experience global cinema in the years ahead.

Also Read: Netflix set to acquire Warner Bros. in groundbreaking $82.7 billion deal



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Friday, December 5, 2025

NTR Jr ditches body double, gears up for dangerous December nights on Dragon

Next month, NTR Jr will be shooting rigorous action sequences almost through all of December at Ramoji Film City. These sequences are said to be far riskier and more heart-in-the-mouth than anything the superstar has attempted in any of his previous action films.

This time, NTR is using no body double. A source close to the development reveals, “Tarak is very clear that the days of body doubles are over. Even Salman Khan, who has relied on duplicates for most of his stunts so far, is doing his own stunts in his new film. Every superstar is Tom Cruising now—and so is NTR.”

The plan is to shoot these stunt blocks for Prashanth Neel’s film (rumoured to be titled Dragon) for three weeks of night schedules throughout December. However, the timeline may get extended by another week depending on progress.

Interestingly, NTR has reportedly not informed his wife and children about the hazardous stunt work he will be undertaking next month.

Also Read: NTRNeel: Prashanth Neel, Jr NTR film enters its most intense shooting phase yet as extensive night schedules begin this December



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Thursday, December 4, 2025

Shah Rukh Khan and Kajol unveil DDLJ bronze statue in London’s Leicester Square

Bollywood icons Shah Rukh Khan and Kajol marked a memorable moment on December 4, 2025, by unveiling a bronze statue of their legendary characters Raj and Simran from the 1995 classic Dilwale Dulhania Le Jayenge (DDLJ) at London’s famed Leicester Square.

Despite cold, rainy weather, the pair captivated the gathered audience and media, recreating the film’s iconic pose with radiant smiles. Shah Rukh Khan looked sharp in a black suit, while Kajol radiated grace in a mint-green saree. The new bronze statue is the first ever dedicated to an Indian film at Leicester Square, placing DDLJ alongside global cinematic icons like those from Harry Potter, Mary Poppins, Paddington, Singin’ in the Rain, and heroic figures like Batman and Wonder Woman. The statue captures the film’s signature pose — a moment the duo lovingly recreated during the ceremony. Reflecting on the anniversary, Shah Rukh Khan said, “DDLJ was made with a pure heart. We wanted to tell a story about love — how it can bridge barriers and how the world would be a better place if it had a lot more love in it — and I think this is why DDLJ has had a lasting impact for over 30 years now! Personally, DDLJ is part of my identity, and it is humbling to see the film, and Kajol and me, receiving so much love since it was released.” He added, “I am thankful to the people of the United Kingdom and the Heart of London Business Alliance for celebrating DDLJ and immortalising us with such a gesture. Seeing DDLJ become the first Indian film to be honoured in the iconic Scenes in the Square trail is an emotional moment and has brought back so many memories. I feel immense pride knowing the film has been embraced around the world, and I want to share this moment with the entire cast and crew of DDLJ, my friend and director Aditya Chopra, and the Yash Raj Films family. This is a moment I will never forget!”

Bade Bade Deshon Mein, Aisi Chhoti Chhoti Baatein Hoti Rehti Hain, Senorita!

Thrilled to unveil the bronze statue of Raj & Simran at London’s Leicester Square today, celebrating 30 years of Dilwale Dulhania Le Jayenge (DDLJ)!

Incredibly delighted that DDLJ is the first Indian… pic.twitter.com/8wjLToBGYc — Shah Rukh Khan (@iamsrk) December 4, 2025

He also shared a heartfelt post on X, writing, “Bade bade deshon mein, aisi chhoti chhoti baatein hoti rehti hain, Senorita!”

Kajol too expressed her gratitude: “It’s incredible to see Dilwale Dulhania Le Jayenge continue to receive so much love, even 30 years later. Watching the statue being unveiled in London felt like reliving a piece of our history - a story that has truly travelled across generations.”

She further added, “Seeing it find its rightful place in Leicester Square, a location of such enormous significance to DDLJ, makes this moment even more special. For the film to be honoured in this way in the UK - the first Indian film to receive such recognition - is something that will forever stay in the hearts and minds of all DDLJ fans across the world. I'm grateful to everyone who continues to keep our film in their hearts after all these years.” The statue now joins the “Scenes in the Square” trail  a tribute to global film heritage and stands as a tribute to DDLJ’s enduring legacy, resonating with fans around the world decades after its release. Also Read : Shah Rukh Khan pens heartfelt tribute to Andre Russell on his retirement from IPL



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SHOCKING: Nandamuri Balakrishna’s Akhanda 2 Postponed INDEFINITELY

Nandamuri Balakrishna’s highly awaited Akhanda 2 has hit a massive hurdle just hours before its big release, leaving fans and trade in complete shock. The Boyapati Sreenu directorial, pitched as a grand, larger-scale sequel to the 2021 blockbuster Akhanda (2021), was slated to arrive in cinemas worldwide on December 5, 2025, with paid premieres on December 4. Instead, the film is now indefinitely postponed, with no new release date in sight.

It became clear on December 4 itself that things were not fine, as there was confusion over theatre bookings and showcasing. By evening, paid premieres were officially called off, and even overseas KDMs reportedly did not go through, forcing distributors to pull shows at the last minute. This led to frustration and disappointment for Balakrishna’s followers.

Soon after, the production house 14 Reels Plus broke its silence on social media, confirming that Akhanda 2 would not release as scheduled, citing “unavoidable circumstances” and calling it a “painful moment” for the team. The makers added that they have been working tirelessly to resolve the issue at the earliest and apologized to audiences eagerly awaiting the film. They also made it clear that the new release date will be finalised only after financial hurdles are cleared, effectively confirming that the delay is not a routine postponement but a serious setback.

With a heavy heart, we regret to inform you that #Akhanda2 will not be releasing as scheduled due to unavoidable circumstances.

This is a painful moment for us, and we truly understand the disappointment it brings to every fan and movie lover awaiting the film.

We are working… — 14 Reels Plus (@14ReelsPlus) December 4, 2025

Reportedly, the makers faced a legal battle. As per The Economic Times, the Madras High Court recently passed an order restraining the release of Akhanda 2 after Eros International Media Limited approached the court. Eros holds an arbitral award of around Rs 28 crore against 14 Reels Entertainment Pvt Ltd, a group entity linked to the producers. The company argued that releasing the film under the banner 14 Reels Plus LLP could be seen as an attempt to sidestep these financial obligations. A division bench therefore, issued an injunction barring any theatrical, streaming, or commercial release of the film until further orders.

With the court’s injunction in place and financial disputes unresolved, Akhanda 2 is effectively stuck in limbo. For the industry, the halt comes as a surprise given the strong buzz, Balakrishna’s massive fanbase, and the sequel’s positioning as a major tentpole title. For fans, the wait for the return of the powerful Akhanda avatar just got longer, with all eyes now on how quickly the producers and stakeholders can untangle the legal and monetary knots and bring the film back on track.

Also Read: Akhanda 2 Thandavam teaser out! Nandamuri Balakrishna returns in fierce avatar for Pan-India sequel



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Vicky Kaushal buys Rs 3 crore Lexus LM350h Ultra Luxury MPV

Bollywood star Vicky Kaushal has expanded his enviable automobile collection with the addition of the ultra-luxurious Lexus LM350h 4-Seater Ultra Luxury, one of the most premium MPVs currently available in India. According to registration details accessed yesterday, the actor’s latest set of wheels carries an eye-watering price tag ranging between Rs.2.69 crore and Rs.3 crore, depending on the customisation and on-road additions.

The Lexus LM350h has quickly emerged as a favourite among India’s elite, thanks to its unparalleled comfort, hybrid efficiency, and limousine-like cabin experience. Vicky Kaushal’s newly acquired 4-seater model stands out for its lounge-style rear compartment, complete with plush recliner seats, a massive 48-inch HD display, premium sound insulation, and a host of comfort-focused amenities designed to create a “first-class in motion” experience.

The LM350h is powered by Lexus’ advanced 2.5-litre hybrid petrol engine, paired with an electric motor for smooth and silent cruising. The Ultra Luxury variant prioritises comfort, offering features such as a powered partition, climate-controlled seating, soft-close doors, and adaptive suspension, making it one of the most sophisticated MPVs on Indian roads.

Vicky Kaushal, known for his love for high-performance and premium cars, has added yet another standout vehicle to his growing garage. The actor, who has been busy with film commitments and new projects, was reportedly keen on upgrading to a vehicle that offers both luxury and practicality for long hours of travel between shoots, events, and family commitments.

With its registration completed yesterday, the Lexus LM350h 4S Ultra Luxury becomes one of the most expensive and exclusive vehicles owned by the star, further strengthening his status as one of Bollywood’s most stylish automobile enthusiasts.

Also Read: Vicky Kaushal on emotional moment after becoming a father: “It’s been the most grounding moment”



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REVEALED: Dhurandhar's first half is 2 hours and 4 minutes long; overseas delivery delayed; first day early shows might be affected in Australia, New Zealand, Fiji

A day is left for the release of Dhurandhar and Bollywood Hungama has learned that the makers are in a race against time to deliver the content in cinemas.

 

A trade source told Bollywood Hungama, "This usually happens with South films and it's rare to see what's happening with Dhurandhar. The content delivery has got delayed and has not been delivered in overseas territories. This has caused distress among the distributors releasing the film in foreign shores."

The trade source continued, "All eyes are on Australia, New Zealand and Fiji. As per the time zone, these territories will play Dhurandhar first. But due to non delivery of content, it is expected that the few shows of the film in these countries will be cancelled. The team is making sure that at least the shows on Friday evening and night play as per the schedule. Also, the team is also trying its best to supply the content in other foreign territories like the United Kingdom, Middle East, North America etc."

2 hour long first half Meanwhile, exhibition insiders have shared an interesting information with Bollywood Hungama, "The first half of the film is more than 2 hours long, clocking a run time of 2 hours and 4 minutes. The second half is comparatively shorter, as it has a duration of 1 hours and 28 minutes."

No IMAX on Friday Earlier in the day, Bollywood Hungama reported that in India, the IMAX version of Dhurandhar will not be played on Friday. The IMAX properties will play the non-IMAX version, again, due to non delivery of content on time. However, a source said, "The makers of the team are trying their best, but it seems like on Friday, the content won’t reach the IMAX theatres.”

 



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SCOOP: Did Sunny Kaushal replace Saif Ali Khan in Ramesh Taurani's daughter Sneha Taurani's film last minute?

In a surprising turn of events, Saif Ali Khan has reportedly walked out of filmmaker Sneha Taurani’s upcoming project, just days before the film’s shoot was scheduled to begin.

The actor, who had officially committed to the project and even attended its mahurat ceremony on October 27, 2025, has now opted out, leaving the makers and producers scrambling for a replacement.

A source close to the development revealed, “He didn’t feel it was the right film for him to do,” though the decision came much later than expected, creating last-minute challenges for the team.

The film was being produced by Ramesh Taurani, one of Bollywood’s most established producers, who has earlier collaborated with Saif on blockbusters like Race, Race 2, and BhootPolice (2021). He even did Kya Kehna produced by Ramesh Taurani in 2000, the two go back a long way. Reportedly, Ramesh Taurani wasted no time and has now cast Sunny Kaushal in the role originally meant for Saif. Kaushal reunites with director Sneha Taurani after their 2020 film Bhangra Paa Le.

Industry insiders say Taurani is “deeply upset” with Saif’s last-minute withdrawal and is unlikely to work with the actor again, casting doubt over Saif’s participation in Race 4 and Bhoot Police 2.

At a time when the industry is grappling with mounting losses, actors backing out of confirmed projects has become a worrying trend, putting additional strain on producers and release schedules.

Bollywood Hungama reached out to Saif Ali Khan and Ramesh Taurani at the time of publishing, but both did not comment.



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